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> 未知的快感---杨述
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作者:杨述  编著:杨述
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内容提要
  在数码图像泛滥,影视传媒和互联网极端发达的今天,绘画的命运是怎样的?绘画的形态可以是什么样子?绘画的终极意义何在?杨述的作品可以为我们提供一种个人化的答案。
  绘画无须模仿自然,摄影、电影和电视对客观世界的再现能力已经足够强大;绘画无须图解故事,作为文学和哲学的附庸也绝不是绘画存在的目的;绘画甚至无须因循自身的历史,因为每个时代的画家都必然有自己的创造,从形式到观念,从理智到情感。绘画是一个独立的艺术品种,有着自己的视觉使命和价值体系。杨述的绘画观念来自于对绘画本体的探究,在他的作品中,所有的色彩、笔触、节奏和空间都成为敞开的世界,恰如音乐不能用文字描述一样,他下笔的快感能够令每一个观看原作的欣赏者获得未知的、不确定的共鸣。
  展现在大家面前的,是杨述近两年的绘画作品,炽烈燃烧的荧光色和狂放不羁的笔触酣畅淋漓地倾泻在画布上,耀眼的光和几近失重的速度共同构成了令人眩晕的视觉印象。他的风格,介于抽象和表现之间,尽管那非叙事性的氛围中仍然有来自现实世界的图像和文字信息,但这些信息只是残缺的碎片,是以视觉元素的方式出现的。
  这个展览的名称,是从著名英国摇滚乐队“快乐部门”(Joy Division)1979年的首张专辑中借用过来的,在聆听黑色压抑的朋克音乐同时欣赏杨述绚烂刺激的画面,这种听觉和视觉的意外平衡,可以令我们在都市生活的紧张压力下获得片刻的释放和安宁。(文章来源:《未知的快感---杨述》)




  When the current world is overwhelmed by digital images, various media and Internet, what will be the fate of painting? What the form of painting could be? What’s the ultimate significance of painting? Yang Shu’s works offer an individualized answer.
  Painting doesn’t need to reproduce the nature, as photography, film and television have enough power to reproduce the objective world; painting doesn’t need to tell a story, nor aim to be the dependency of literature or philosophy; painting even doesn’t repeat its own history, as the painters of each era have their own creation, from form to concept, from sense to sensibility. As an independent art genre, painting has its own visual mission and value system. Yang’s painting concept originates from his exploration in painting itself. In his works, all the colors, brushstrokes, rhythm and space become an open world, just like music couldn’t be described in words, the ecstasy under his paintbrush enables each audience of the original works to obtain the unknown and uncertain resonance.
  Yang’s works created in the past two years are now presented before us. The burning and passionate fluorescent colors and unrestrained brushstrokes are wildly poured onto the canvas, with the dazzling light and the almost agravic speed to compose the dizzy visual impression. His style is somewhere between abstract and expressionism. Though there is still information about images and words from the real world in the non-narrative atmosphere, the information is just incomplete fragment, emerging in the way of visual element.
  This exhibition’s title, Unknown Pleasures, is borrowed from the first album of a famous British rock band “Joy Division” in 1979. When listening to the dark and depressing punk music and appreciating Yang Shu’s splendid and exciting works at the same time, we could get some momentary relief and tranquility under the tense pressure of urban life from the unpredicted balance between hearing and vision.
 


  杨 述1965年 出生于重庆。1988年 毕业于四川美术学院油画系。1995年 荷兰Rijksa艺术学院访问学者。现工作、生活在重庆。个展:2001 生活片段 香港,A&A Phoenix画廊。2007《我的苹果》上海,上海美术馆。2008《未知的快感》上海,张江当代艺术馆。联展:1988《西南现代艺术展》成都,四川省展览馆。1988《中国现代绘画展》南斯拉夫,卢贝亚那现代美术馆。1989 《中国现代艺术大展》北京,中国美术馆。1991《西三环艺术文献资料展》北京,中国画研究院。1993《第二届中国油画年展》北京,中国美术馆。1995《De Rijksakademie en het Rijksmuseum》荷兰,阿姆斯特丹,Rijksmuseum美术馆。1996《分享梦幻:5位来自中国大陆的艺术家》美国,纽约,牙买加艺术中心。2001《重庆辣椒》德国,卡塞尔文化车站。2001《KHOJ国际艺术家工作展示》印度,新德里,KHOJ工作坊。2001《旋转360°》上海,海上山艺术中心。2003《重庆辣椒—美国之旅》美国,俄亥俄州州立大学美术馆,Trisolini画廊。2003《形而上2003—上海抽象艺术展》上海,上海美术馆。2003《丽江国际艺术工作展示节》云南,丽江。2004《中间》泰国,曼谷,唐人画廊。2005《形而上2005—黑与白》上海,上海美术馆。2006《重庆辣椒2006》青岛,青岛市美术馆。2006《重庆当代绘画》加拿大Guelph大学Macdonald Stewart艺术中心。2007《从西南出发—西南当代艺术展1985—2007》广州,广东美术馆。2007《贵阳双年展》贵阳,贵州美术馆。2007《中国版本—北京邀请展》北京,今日美术馆。2007《赤山绿水—中德两国艺术家作品巡展》德国,吕贝克美术馆(Lubeck art gallery)。 德国,施拜尔博物馆(Speyer museum)。2007《截点》成都,蓝色空间;重庆,三峡博物馆。2008 《More yum cha》澳大利亚,悉尼,Ray Hughes画廊。2008《笔触的力量—中外当代表现绘画6人展》成都,蓝色空间。2008《走向后抽象》北京,偏锋新艺术空间。

  Yangshu 1965 Born in Chongqing. 1988 Graduated from Oil Painting Department, Sichuan Fine Arts Institute (SFAI).1995 Selected by the UNISSCO, for a one-year work at Rijksak Academy, Holland. Now works and lives in Chongqing. Solo Exhibitions 2001 "Piece of Life: ……..", A&A Phoenix, Hong Kong. 2007 “My apple”, Shanghai Art Museum, Shanghai. 2008 “Unkown Pleasures”, Z-art Center, Shanghai. Group Exhibitions 1988 "South-West Modern Art Exhibition", Sichuan Museum, Chengdu. 1988 "Exhibition of Chinese Contemporary Paintings", Yugoslavia. 1989"Exhibition of Chinese Contemporary Art", Art Museum of China, Beijing. 1991 "Xisanhuan Art Document", Chinese Painting Academe, Beijing. 1993 "2nd Chinese Oil Painting Exhibition", Art Museum of China, Beijing. 1995 "De Rijksakademie en het RijksmuseStudied um Amsterdam", Netherlands. 1996 "Dream Shares:5 artists from Mainland China", Jamaica Arts Center, New York, USA. 2001 "Chongqing Chillies", Kassel Cultural Train Station, Germany. 2001 "KHOJ workshop", New Delhi, India. 2001 "Turn 360", Haishangshan Art Center, Shanghai. 2003 "Chongqing Chillies-American Tou"r, University Art Garllery and Trisolini Garllery Ohio, USA. 2003 "Metaphysics 2003", Shanghai Art Museum, Shanghai. 2003 Lijiang International Workshop, Lijiang. 2004 In Between, Ttang Gallery, Bangkok, Thailand. 2005 "Metaphysics 2005", Shanghai Art Museum. 2006 "Chongqing Chillies", Qingdao Art Museum. 2006 "Chongqing Contemporary Arts", Macdonald Stewart Art Center, University of Guelph, Canada. 2007 "Starting from the Southwest –Exhibition of Contemporary Art in Southwest China", Guangdong Museum of Art. 2007 "Guiyang 3rd Biennale", Guiyang Art Museum. 2007 "China ……", Today Art Museum, Beijing. 2007 "Interception", Blue Dreamland, Chengdu; Three Gorges Museum, Chongqing. 2007 "Rote Berge Grunes Wasser", Lubeck Art Gallery, Germany; Speyer museum, Germany. 2008 "More Yum Cha", Ray Hughes Gallery, Sydney, Australia. 2008 "The power of Brushstroke", Blue dreamland Gallery, Chengdu. 2008 "Towards the Post-abstract", Pifo New Art Studio, Beijing.

 

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