内容提要
序：勤奋学习与领悟原理
邵大箴
译彬告诉我，她与绘画似乎有缘分，小学时美术课的成绩很好，自己也非常喜欢画画，上大学的时候在校外租了一间毛胚房，有空时买一些颜料回来在墙上和窗上随意涂抹。毕业后她把这些画做了小册子，原本只是想留作纪念，没想到被一位国画家看到后，认为她有绘画才能，鼓励她多画，可以向绘画的方向发展。2008年，译彬具备了一些物质条件，开始用心投入画画。她没有系统学过绘画的基础，也没有拜过老师，是靠自己琢磨走向绘画创作的。她说，她在绘画中寻找到一种快乐!
我高兴地看了译彬的一些作品，感到她确实很爱画画，也有绘画的才能。关于绘画才能，很多人有误解，以为画画是件很神秘的事，自己决无绘画才能，这种看法是片面的。严格地说来，人人都有潜在的绘画才能，只是大小不同而已。此外，是否每个人对此是否自觉，是否敢于展现自己的才能，还有，是否有机会展现，也都是重要的。
译彬没有受过美术学校的训练，凭着兴趣和靠自己学习名家名画，揣摩画画的原理和技巧。她自由自在地运用笔触和色彩，心态是放松的，较少受法则、规矩的约束，能在画面上大致上处理整体与局部、线与造型以及色彩之间的关系，表明她有一些绘画的才能。她的起步是应该受到鼓励的。她的大胆和自信也是应该肯定的。
我想对译彬说的是，画画这件事，不论是在学校受系统训练，还是自学，也不论有多少天赋，都要通过艰苦的劳动才能有所收获，这里没有捷径可走。肯勤奋学习和实践以及善于领悟绘画原理，是可能取得成功的基本条件，而勤奋又是根本的根本。至于领悟原理，有渐悟和顿悟，渐悟是潜藏在长期劳作中不知不觉地赐予你的；渐悟积累多了，顿悟便会出现，那时柳岸花明，豁然开朗。这段话算作与译彬共勉，祝她未来在绘事上取得成功！
2011年8月于中央美术学院
^_^
Preface: Learning Diligently and Understanding Principle
Shao Dazhen
Yibin told me that it seemed that she had a predestined relationship with painting, for she had high marks for fine art class and she was keen on painting very much. As she grew up, she rented an undecorated apartment outside the college, in which she liked to draw some paintings on the walls and windows by means of the pigments brought to the home. After she graduated, she collected these paintings and turned them into a catalog just for a souvenir, which was unexpectedly recognized by an artist of Chinese painting who thought of her as talented in painting and encouraged her to create more artworks and pay more attention to such expertise. In 2008, Yibin met the material conditions and started to be engaged in painting. She just started to proceed on the path of art creation based on her own learning and exploration without any systematic learning or mentoring, for she said that she truly found some happiness in painting.
I am more than happy and privileged to see some artworks of Yibin and feel that she is truly fond of painting and does have the talent for painting. Regarding the talent for painting, someone may think that painting is something mysterious and they lack the ability to paint well, which is unilateral. Strictly speaking, everyone boasts the potential talent for painting, just different in degree. Moreover, what matters lies in whether someone adheres to self-discipline, whether someone is bold enough to express their talent or whether opportunity is seized and made use of.
Yibin didn’t receive the education or training in fine art school, on the contrary, she has been learning the theory and techniques of painting based on the interest and learning from the techniques of well-known artists. Bearing the relaxed mental state, she utilizes the stroke and color freely with little restriction by rules or principles, thus skillfully handling the relation of the overall and part layer, line and modeling and color in the painting, which indicates that she has talent for painting. Her starting point deserves encouragement meanwhile her boldness and confidence should be recognized.
I would like to tell Yibin that as for painting, whether it is systematically taught in school or learnt by yourself, only by hard work and continual practice can you achieve the fruit meanwhile no shortcut is available. Learning diligently, continuously practicing and mastering the principle of painting serve as the basic foundation of success in art meanwhile diligence is the most essential element. As for mastering the principle which can be divided into gradually comprehending and sudden insight, gradual comprehension means the fruit gained in the wake of long-term conscientious hard work. As gradual comprehension is accumulated, sudden insight will emerge, which may lead people to be suddenly enlightened. I would like to extend the sentence to Yibin for mutual encouragement and wish her every success in future painting career.
China Central Academy of Fine Arts, August, 2011
|
