内容提要
刊首语^_^Preface
文 / 王 漪^_^by Wang Yi
“全国中国画作品展”是中国美术家协会的大型专项展览活动，每年举办一次。其宗旨在于展示当前中国画的最新成果，检阅中国画队伍，推精品，推新人，展现中国画在新世纪的艺术风貌，弘扬中国画传统和现代艺术精神。对于今年6月在哈尔滨禹舜美术馆举办的“2011年全国中国画作品展”，我们在上期的“画坛关注”栏目中曾予以关注。在这一期，我们拟选择此次展览的一些获奖和入选作者，对他们的艺术成果进行重点推介。
在过去的一些年里，我们推出的艺术家，基本上是以50后、60后为主。而在这期杂志中，我们推出了一批新面孔，他们属于70后、80后，是画坛上令人瞩目的新锐。这些年轻的画家们大多数接受过比较严格的学院专业训练，有的甚至成为专业艺术院校的专业教师。他们对中国画的观念与技术，都有较为全面的积累，对于20世纪以来中国美术现代转型过程中的中国画讨论，他们也有着较为敏感的认识。因此，他们能在吸取中国画的传统内核的基础上，将中国画的材料语言和精神内涵与“现代性”进行嫁接实验，从而创作出属于一个崭新时代的原创性作品。
在当前中国画坛，中坚力量仍然是一批50后、60后画家。70后已经开始成气候，80后尚未形成一股强大的艺术创作力量，但他们的这些作品，让我们看到了中国画现代转型的又一缕亮光。愿这些年轻的画家继续努力，继承与开拓并重，在中国画的探索与创作中，取得更大的成绩。
National Chinese Painting Exhibition is an annual large-scale special exhibition of China Artists Association. Its purpose is to show the latest achievements of the current Chinese painting, show the overall artistic level of Chinese painting, show latest outstanding works and introduce excellent young artists. The exhibition seeks to show the art style of Chinese painting in the new century and promote traditional Chinese painting and modern art spirit. In the last issue of the magazine, we gave a in-depth reporting to the 2011 National Chinese Painting Exhibition held in Yushun Art Museum in Harbin in June this year. In this issue of the magazine, we choose some of the best artists who participated in this exhibition, focusing on their new works of Chinese painting.
In the past few years, the artists we have introduced are basically born in the 1950s and 1960s. In this issue of the magazine, we will introduce a number of new faces, who was born in the 1970s and 1980s, is new blood of modern Chinese painting. Most of these young artists have received professional Chinese painting training in the art colleges, some of them even become a professional teacher of Chinese painting in professional art colleges. They have comprehensive accumulation of the concepts and techniques of Chinese painting, and have a more sensitive understanding of discussion the transformation of modern Chinese painting in the 20th century. Therefore, they can learn the spiritual core of traditional Chinese painting, graft language form and materials of Chinese painting and modernity for experiment, to create original works which belong to a new era.
In the current Chinese painting circle, the backbone is still the artists born in the 1950s and 1960s. Artists born in the 1970s has officially climbing the stage of history of Chinese painting. Artists born in 1980s have not yet formed a powerful artistic group. However, these artists born in the 1970s and 1980s give us a new hope of the transformation of modern Chinese painting. We hope that these young artists to continue their efforts in the exploration and creation of Chinese painting, and then to obtain greater achievements in Chinese painting.
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