内容提要
序言
程十发(1921-2007),原名潼,上海松江人。1938年入上海美术专门学校国画系,受业于王个簃、汪声远等。1949年入华东人民美术出版社,从事连环画、年画、插图以及传统国画创作。1983年任西泠印社副社长,1984年任上海中国画院院长。2007年因病逝世。出版有《程十发艺术》、《中国近现代名画家——程十发》等多种画册。
程十发在艺术上涉猎广泛,他早年学习传统绘画,后从事连环画、插图创作,进而进入国画人物领域。他善于将自己在各个领域的造诣融会贯通,形成了渊博宏富的个人艺术世界。在他的世界里,既有熔水墨形式与现代造型手法于一炉的彩墨连环画、插图,亦有吸收民间艺术、西方古典艺术因素而锐意创新的国画人物,更有发扬文人画抒情写意传统的花鸟、山水画,甚至还有洋溢着水墨情趣的动画。尤其是在国画人物领域,程十发由少数民族题材入手,以现代生活的气息、民间艺术的生趣糅合传统笔墨形式,形成了亦古亦今、奇正相参的独特风貌。
程十发具有鲜明个性的艺术风格被画界称为“程家样”,20世纪的程家样以浑穆洒脱的笔墨,明快奔放的色彩,雅俗共赏、温煦隽永的格调见称,是中国画通古开今的典范之一。
Foreword
Cheng Shifa (1921-2007), originally named Cheng Tong, was born in Songjiang District of Shanghai. In 1938, he entered the Chinese painting department of Shanghai Art School and learned from Wang Geyi, Wang Shengyuan and others. In 1949, he entered East China People's Fine Arts Publishing House and undertook comic strip, New Year Painting, illustration and traditional Chinese painting creation. In 1983, he served as the vice-president of Xiling Seal Engraver and in 1984 he became the Director of Shanghai Chinese Painting Academy. In 2007 he died of illness. Various catalogues of him including Cheng Shifa's Art, Chinese Modern Masters-Cheng Shifa and others were published.
Cheng Shifa dabbled in art widely; he learned traditional painting in early years and later engaged himself in creation of comic strips and illustrations, then he picked up the traditional Chinese figure painting. He was good at comprehensive mastery of all his fields and established a profound and rich personal artistic world. In his world, there are ink color comic strips, illustrations which combined the form and ink wash with modern shaping, as well as innovative traditional Chinese figure painting which absorbed from both folk art and western classical art elements; he also created flower and bird paintings, landscape paintings developing the lyric freehand tradition of literati painting, and animations full of the interest of ink and water. Especially in the field of traditional Chinese figure painting, Cheng Shifa formed a unique style both antique and modern from the subject of minority nationalities, which is combined with the sense of modern life, interest of folk art as well as the ink and brush form from tradition.
Cheng Shifa's artistic style with distinct personality was called "Cheng Style" in art circles; with free and elegant ink and wash, bright and unrestrained color, Cheng Style featured both refined and popular tastes as well as moderate and meaningful tone. It was one of the classics in Chinese traditional painting of the 20th century which connected the ancient and today.
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